У фільмі “Творіння Господнє” (Something the Lord Made, 2004) Алан Рікман грає Альфреда Блелока.
- Year: 2004
- Genre: drama, biography
- Director: Joseph Sargent
- Cast: Alan Rickman, Mos Def
- Plot: The story of Black cardiologist Vivien Thomas and his complex and unstable partnership with white surgeon Alfred Blalock, the “Blue Baby Doctor,” who became a pioneer of modern heart surgery.
Plot
Something the Lord Made tells the story of the 34-year partnership that begins in Depression Era Nashville in 1930 when Blalock (Alan Rickman) hires Thomas (Mos Def) as an assistant at his Vanderbilt University lab, expecting him to perform janitorial work. Thomas’ remarkable manual dexterity and intellectual acumen confound Blalock’s expectations, and Thomas rapidly becomes indispensable as a research partner to Blalock in his forays into heart surgery.
The film traces the two men’s work when they move in 1943 from Vanderbilt to Johns Hopkins, an institution where the only black employees are janitors and where Thomas must enter by the back door. They attack the congenital heart defect of Tetralogy of Fallot, also known as Blue Baby Syndrome, and in so doing they launch the field of heart surgery. Helen Taussig (Mary Stuart Masterson), the pediatrician/cardiologist at Johns Hopkins, challenges Blalock to come up with a surgical solution for her Blue Babies. She needs a new ductus for them to oxygenate their blood.
The duo is seen experimenting on stray dogs they got from the local dog pound, deliberately giving the dogs the heart defect and then trying to solve it. The outcome looks good and they are excited to operate on a baby with the defect, but in a dream, Thomas sees the baby grown up and crying because she is dying. Thomas asks why she is dying in the dream and she says it is because she has a baby heart. Blalock interprets his dream as implying that their sewing technique did not work because the sutures failed to grow with the heart, and developed a new version with that feature.
The film dramatizes Blalock’s and Thomas’s fight to save the dying Blue Babies. Blalock praises Thomas’s surgical skill as being “like something the Lord made”, and insists that Thomas coach him through the first Blue Baby surgery over the protests of Johns Hopkins administrators. Despite their close partnership in the lab, outside they are separated by the prevailing racism. Blalock makes a mistake by accidentally cutting an artery at the wrong place, but with Thomas’s assistance, is able to complete the surgery. As news quickly spreads of their successes, parents from all over the country flock to the hospital with their sick children, hoping that the surgery can cure them too. Doctors from around the world also come to learn from Thomas how to do the surgery to treat their Blue Baby Syndrome patients.
Thomas attends Blalock’s parties as a bartender, moonlighting for extra income, and when Blalock is honored for the Blue Baby work at the segregated Belvedere Hotel, Thomas is not among the invited guests. Instead, he watches from behind a potted palm at the rear of the ballroom. From there, he listens to Blalock give credit to the other doctors who assisted in the work yet makes no mention of Thomas or his contributions. The next day, Thomas reveals that he saw the ceremony, and quits Blalock’s lab. Thomas’s heart is with the lifesaving work he left behind and he finds himself unhappy in other endeavors. He therefore decides to overlook Blalock’s failure to properly acknowledge his contributions and returns to his lab.
In 1964, one day before Blalock’s death, he sees Thomas, now a professional instructor of surgeons in the open heart surgery wing. After Blalock’s death, Thomas continued his work at Johns Hopkins training surgeons. In a formal ceremony in 1976, Johns Hopkins belatedly recognized the importance of Thomas’s work and awarded him an honorary doctorate. A portrait of Thomas was placed on a wall at Johns Hopkins next to Blalock’s portrait, which had been placed there years earlier. Later, after looking at the portraits, Thomas walks away when the hospital intercom pages “Dr. Vivien Thomas”. A shot of the portraits made for the film—based on the actors who played Blalock and Thomas—dissolves to a shot of the portraits at Johns Hopkins. The film concludes with a title card revealing that Blalock and Thomas’s work launched the field of cardiac surgery, and that doctors in the United States now perform over 1.75 million heart operations per year.
